

His Physics for Entertainment was a huge success with the readers and had positive feedback from professional scientists. In 1901 Yakov Perelman began to work in the magazine, and in 1913 he became the chief editor. Tsiolkovsky and participants of the Imperial Russian Geographical Society.


It published information about the latest technical innovations from around the world, articles by pioneer of the astronautic theory K. Soikin brought out magazine Nature and People, which instantly became popular. Nature and people (Russian: Природа и люди) - illustrated magazine about science, art and literature. Lenin to lead the State Publishing House and retired. The October Revolution made its own corrections to the history of the magazine: the whole Sytin’s publishing empire was nationalized and Around the World was closed. He formed a new publishing team and made Around the World a mass edition, where information about scientific discoveries and new inventions was printed. In 1891, the creator of the first Russian media empire, I. Gradually, the quality of publications got down to a collection of adventurous and adventure stories. The revived Around the World counted on a low price and compensated for it with the loads of advertising. The magazine was being published only for 7 years, and then stopped until 1885. It published foreign translations and notes on Russian geography. The first sign in 1861 became the magazine Around the World. But with the development of industry in Russia, a need for comprehensible scientific publications appeared and there were those who took up this risky business.Īround the World (Russian: Вокруг Света) - magazine about earth sciences, physical sciences, inventions and observations. Some scientists even believed that profanation of science itself was an evil. The predominate attitude in the society was «you gotta do what you gotta do»: women had to give birth, peasants had to plow, and only the elect were able to study science. The most popular literature was a low-grade mystic one. In the Russian Empire, the state was forced to the press and any publishing little step had to be agreed with censorship committees that were guided by church dogmas. It was also required in Russia: there scientific literature and technical progress were both in stuck. The role of science in people's lives has grown dramatically, it has attracted attention, a demand for comprehensible scientific content has arisen. But the industrial revolution has changed everything. Until the 19th century, science was considered as a business of elite, and scientific works for a wide range of readers were isolated experiments. Yudkowsky, then opposite it experienced both ups and downs in Russia. But while Western countries' nonfiction was always in smooth progress from Jules Verne to Eliezer S. Biology, astronomy and mathematics supplant the saga about the elves and intergalactic ships. Thanks to interesting science literature, children begin to study voluntarily and with interest, while adults expand their horizons and do not allow the brain to relax. The available and interesting literature on science is a magic wand that helps the progress not to slow down and move forward. This failure not only serves to emphasize the barbarity on display but also leads to a broader concluding discussion about the nature of photography and its attempts to communicate the unthinkable to a distant home front audience.And our homeland's pushing us For reaching knowledge higher heights. Second, incorporating thinkers like Friedrich Nietzsche (1844–1900) and Maurice Blanchot (1907–2003), it explores the way that the “Picture of the Week” attempts and subsequently fails to rationalize the depicted brutality. First, it discusses the formal and iconographic qualities of the photograph, which, in tandem with its barbaric backstory, help produce its deeply unsettling effects. Passed by American censors and redeployed as anti-American propaganda in Japan, this photograph exposes the perils of mixing a foreign war, photography, and the home front mass media. In this photograph by Ralph Crane (1913–1988), viewers see a woman writing her boyfriend, an American soldier, a thank-you note for a strange and horrific gift: a Japanese soldier's skull. The Life magazine “Picture of the Week” from May 22, 1944, still shocks nearly seventy years later.
